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	<title>Cracking Yarns</title>
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	<description>Creating moving pictures</description>
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		<title>Why screenwriters should take the oral before the written</title>
		<link>http://www.crackingyarns.com.au/2010/08/20/why-screenwriters-should-take-the-oral-before-the-written/</link>
		<comments>http://www.crackingyarns.com.au/2010/08/20/why-screenwriters-should-take-the-oral-before-the-written/#comments</comments>
		<pubDate>Fri, 20 Aug 2010 00:38:01 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Screenwriting tips]]></category>
		<category><![CDATA[concept]]></category>
		<category><![CDATA[oral storytelling]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=781</guid>
		<description><![CDATA[A lot of screenwriters won’t share their stories until they’re “finished”. Here are 2 reasons you should tell your stories before you write a word of your screenplay.]]></description>
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		<slash:comments>1</slash:comments>
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		<title>In defence of Inception</title>
		<link>http://www.crackingyarns.com.au/2010/08/16/in-defence-of-inception/</link>
		<comments>http://www.crackingyarns.com.au/2010/08/16/in-defence-of-inception/#comments</comments>
		<pubDate>Mon, 16 Aug 2010 12:46:41 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Film analysis]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[psychology]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=770</guid>
		<description><![CDATA[My good friend and prolific screenwriter, Liz Doran, had an entirely different reaction to Inception. Here are her dissenting and insightful thoughts.]]></description>
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		<slash:comments>7</slash:comments>
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		<title>Why Inception didn’t do it for me</title>
		<link>http://www.crackingyarns.com.au/2010/08/11/inception-emotionally-unengaging/</link>
		<comments>http://www.crackingyarns.com.au/2010/08/11/inception-emotionally-unengaging/#comments</comments>
		<pubDate>Wed, 11 Aug 2010 03:47:47 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Film analysis]]></category>
		<category><![CDATA[Screenwriting tips]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=724</guid>
		<description><![CDATA[Christopher Nolan’s Inception is extraordinarily imaginative, brilliantly executed and not even remotely emotionally engaging on any of its 3 levels. Here's why it leaves me cold.]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>2 things should happen at the midpoint &#8211; and raising the stakes isn’t one of them</title>
		<link>http://www.crackingyarns.com.au/2010/07/30/midpoint-stakes-supreme-ordeal-identity-essence/</link>
		<comments>http://www.crackingyarns.com.au/2010/07/30/midpoint-stakes-supreme-ordeal-identity-essence/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 01:15:26 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Hero's Journey]]></category>
		<category><![CDATA[Screenwriting tips]]></category>
		<category><![CDATA[Story structure]]></category>
		<category><![CDATA[chris vogler]]></category>
		<category><![CDATA[joseph campbell]]></category>
		<category><![CDATA[midpoint]]></category>
		<category><![CDATA[Ordeal]]></category>
		<category><![CDATA[syd field]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=661</guid>
		<description><![CDATA[If all you do at the midpoint is raise the stakes your script has little chance of packing much emotional punch at the climax. Here are the 2 things you should be focussed on delivering around the middle of Act 2.]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>10 screenwriting insights I wish I’d had 25 years ago</title>
		<link>http://www.crackingyarns.com.au/2010/07/22/10-best-screenwriting-tips/</link>
		<comments>http://www.crackingyarns.com.au/2010/07/22/10-best-screenwriting-tips/#comments</comments>
		<pubDate>Wed, 21 Jul 2010 22:03:44 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Hero's Journey]]></category>
		<category><![CDATA[Screenwriting tips]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=622</guid>
		<description><![CDATA[Over the last 25 years, I’ve stumbled and lurched my way to some understanding of the screenwriter’s craft. Here I share the 10 screenwriting insights I wish I’d had when I started out.  ]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Why Toy Story 3 makes grown men sob</title>
		<link>http://www.crackingyarns.com.au/2010/07/07/why-toy-story-3-makes-grown-men-sob/</link>
		<comments>http://www.crackingyarns.com.au/2010/07/07/why-toy-story-3-makes-grown-men-sob/#comments</comments>
		<pubDate>Tue, 06 Jul 2010 23:14:55 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Film analysis]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[joseph campbell]]></category>
		<category><![CDATA[pixar]]></category>
		<category><![CDATA[toy story 3]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=605</guid>
		<description><![CDATA[Toy Story 3 reduces men to blubbering wrecks. Here’s why I think it’s so powerful – and it’s not about toy separation anxiety.]]></description>
		<wfw:commentRss>http://www.crackingyarns.com.au/2010/07/07/why-toy-story-3-makes-grown-men-sob/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Rocket Science: charming but does it pass the fundamental story test?</title>
		<link>http://www.crackingyarns.com.au/2010/06/29/rocket-science-film-review-why-story-structure/</link>
		<comments>http://www.crackingyarns.com.au/2010/06/29/rocket-science-film-review-why-story-structure/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 11:45:19 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Film analysis]]></category>
		<category><![CDATA[Story structure]]></category>
		<category><![CDATA[Screenwriting tips]]></category>
		<category><![CDATA[Structure]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=534</guid>
		<description><![CDATA[The Herald raved about this indie charmer and it is fabulous in parts. But ultimately it didn’t satisfy my own personal definition of a good story. ]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>How much do Australian films have to take to break even?</title>
		<link>http://www.crackingyarns.com.au/2010/06/11/australian-films-box-office-break-even/</link>
		<comments>http://www.crackingyarns.com.au/2010/06/11/australian-films-box-office-break-even/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 06:38:17 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Australian film industry]]></category>
		<category><![CDATA[Australian films]]></category>
		<category><![CDATA[box office]]></category>
		<category><![CDATA[breakeven]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[vincent sheahan]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=486</guid>
		<description><![CDATA[In LA, they say your film has to take 4 times its budget at the box office to make a profit – but local producer Vincent Sheehan says in Australia the equation is even more daunting.
]]></description>
		<wfw:commentRss>http://www.crackingyarns.com.au/2010/06/11/australian-films-box-office-break-even/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Animal Kingdom: Yes, it’s good but …</title>
		<link>http://www.crackingyarns.com.au/2010/06/09/animal-kingdom-film-review/</link>
		<comments>http://www.crackingyarns.com.au/2010/06/09/animal-kingdom-film-review/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 06:20:27 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Australian film industry]]></category>
		<category><![CDATA[Film analysis]]></category>
		<category><![CDATA[Story structure]]></category>
		<category><![CDATA[animal kingdom]]></category>
		<category><![CDATA[australian cinema]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=477</guid>
		<description><![CDATA[Local critics are raving and David’s Michod’s crime family drama has some exceptional elements but here I try to balance the hyperbole with a little critique.]]></description>
		<wfw:commentRss>http://www.crackingyarns.com.au/2010/06/09/animal-kingdom-film-review/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The high concept trapped inside I Love You Too</title>
		<link>http://www.crackingyarns.com.au/2010/05/27/the-high-concept-trapped-inside-i-love-you-too/</link>
		<comments>http://www.crackingyarns.com.au/2010/05/27/the-high-concept-trapped-inside-i-love-you-too/#comments</comments>
		<pubDate>Wed, 26 May 2010 21:23:16 +0000</pubDate>
		<dc:creator>Allen</dc:creator>
				<category><![CDATA[Film analysis]]></category>
		<category><![CDATA[Screenwriting tips]]></category>
		<category><![CDATA[high concept]]></category>
		<category><![CDATA[I love you too]]></category>

		<guid isPermaLink="false">http://www.crackingyarns.com.au/?p=459</guid>
		<description><![CDATA[Peter Helliar’s debut writing feature is disappointing but buried deep in the film is a high concept that might have made for a huge hit.]]></description>
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		<slash:comments>0</slash:comments>
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