By analysing the categories in which films have (and have not) been nominated, you can tell what worked – and didn’t work – in this year’s crop of screenplays.
How can you make a movie about a guy stuck in a coffin? Here’s how Buried screenwriter Chris Sparling pulled it off and the screenwriting lessons we can all learn from it.
A lot of screenwriters won’t share their stories until they’re “finished”. Here are 2 reasons you should tell your stories before you write a word of your screenplay.
Christopher Nolan’s Inception is extraordinarily imaginative, brilliantly executed and not even remotely emotionally engaging on any of its 3 levels. Here’s why it leaves me cold.
If all you do at the midpoint is raise the stakes your script has little chance of packing much emotional punch at the climax. Here are the 2 things you should be focussed on delivering around the middle of Act 2.
Over the last 25 years, I’ve stumbled and lurched my way to some understanding of the screenwriter’s craft. Here I share the 10 screenwriting insights I wish I’d had when I started out.